Berlin Migrant 2026

Saturday, 14 March, 6:00 pm
+ Q&A with directors

Curatorial Statement
by Dalila Muñoz

Germany’s capital, Berlin, is often portrayed as an open, queer-friendly, migrant city, “Ort der Erinnerungen” (a place of memories). Walking through it means encountering the marks of its colonial past, stumbling upon Stolpersteine ​​(stumbling stones), and approaching the vestiges of what was once used as a dividing wall. But what other images of Berlin and tensions within the culture of memory are revealed to us in our migrant or post-migrant journeys?

This curatorial project proposes listening to, seeing, and understanding Berlin from the perspective of filmmakers who film it as a territory traversed by expectations, desires, and imaginaries that confront grief and resistance. Rather than representing Berlin as a static image, the city appears as a space of friction: refuge and border, freedom and censorship, integration and exclusion. Berlin emerges as a field of symbolic dispute where our interaction with and within the city not only transforms its landscape but also influences narratives to rework the past, challenge certain imaginaries about Germany, and construct possibilities for envisioning the future.

SHORT FILMS

Himmel wie Seide. Voller Orangen

Germany, 10:04 min
director: Betina Kuntzsch

The short film Himmel wie Seide-Voller orangen reconstructs a travelogue from research, contemporary press articles and interviews with contemporary witnesses. A collage of animated postcards, documents and vacation photos. A report from a time full of comical, tragic and embarrassing encounters – a report about the freedom to travel, the hunger for color and the desire to belong.

Semra Ertan

Germany, 7:16 min
director: Cana Bilir-Meier


Semra Ertan was born in Turkey, 1956 and moved to her parents to the federal republic of Germany in 1972. She worked as a construction draftswomen as well as an interpreter and wrote over 350 poems. 1982 she died in Hamburg

Februarstorm

Germany, 3:26 min
director: Camil “Calimaat” Bahtijarević


Based on the poem of the same name “februarsturm” by Ozan Zakariya Keskinkılıç, the lyrical short film brings together performative, lyrical, musical and cinematic arts. “February Storm” artistically processes the commemoration of Hanau and strengthens debates about solidarity, resistance and remembrance.

Wafaa from Gaza

Germany, 14:42 min
director: Elisa Ward


The journey of a girl who started singing out her window in Gaza out of despair, to a woman living in Germany, scared to sing out of fear of censorship and more.

Acción en contra Humboldt Forum

Wallmapu- Bolivian Andes, 4:25 min
director: Moviendo Territorios (Eli Wewentxu & Sharon mueve su cuerpo)


This short film documents a dance activation carried out in different public spaces across Berlin between 2021 and 2022. Through the gesture of drawing the chacana and the Kultxun with salt and charcoal on the ground, Sharon and Eli create an ephemeral space in which the body becomes territory and memory.

غريب عائد غريب / Queer Exile

Egypt, 10 min
director: Ahmed Awadalla

After fleeing Egypt in the wake of revolution, an exiled activist arrives in Berlin, yearning for safety, reaching for breath. But before he can catch it, he’s placed in a refugee camp, steps away from far-right rallies chanting for his removal. Trapped between what he fled and where he’s landed, he must confront the cost of escape, the ache of memory, and what freedom really means.

Wären sie mal besser zu hause geblieben

Germany, 5.31 min
director: Alina Juarez


During the lockdown in Berlin caused by Covid-19, the harassment and persecution of activists by the police is normalized. The documentary tells the experience of a woman of color while she’s in detention for taking pictures of an action against arms production.

파도 어디에나 있는 /
Waves, Everywhere

Korea/Germany, 18.42 min
director: Kodac Ko


“Waves, Everywhere> examines the topic of migration from two different perspectives. For the migrants, immigration offers a new environment. At the same time, however, they also leave behind an emptiness with which their families and friends back home are confronted.